“Studying Abroad from Abroad: Moving from onsite to online learning in the wake of COVID-19,” Teaching the Early Modern World in the Era of COVID-19, Sixteenth Century Journal51, no. S1 (2020), https://www.escj.org/early-modern-classroom?page=3
“Nuns’ Networks: Letters from Suor Domenica da Paradiso at La Crocetta in Renaissance Florence.” In Convent Networks in Early Modern Italy, eds. S. Weddle and M. Dunn, Series: Europa Sacra. Religion, Society, and Identity, 25, Brepols, 2020.
“Miraculous Images at the convent of la Crocetta in Renaissance Florence.” In Saints, Miracles and the Image: Healing Saints and Miraculous Images in the Renaissance. eds. S. Cardarelli and L. Fenelli, Brepols, 2019.
“The Confessor’s House at a Renaissance Convent: The Canon Francesco da Castiglione’s Bequest and Inventory.” In Encountering the Renaissance. Celebrating Gary Radke and 50 Years of the Syracuse University Graduate Program in Renaissance Art, eds. A. V. Coonin and M. Bourne, WAPAAC & Zephyr Scholarly Publications, 2016, 225-234.
“Preaching in a Poor Space: Savonarolan influence at Sister Domenica’s Convent of La Crocetta in Renaissance Florence,” in Patronage, Gender & the Arts in Early Modern Italy: Essays in Honor of Carolyn Valone, eds. K. McIver and C. Stollhans, Editors. Italica Press, 2015, 211-230.
Editorial and Research Assistant, Renaissance and Baroque Bronzes from the Hill Collection. exh. cat. The Frick Collection, New York, 28 January–14 June 2014. London: Paul Holberton Publishing, 2014.
with Donal Cooper, “Sacred Space in the Modern Museum: Redisplaying the Santa Chiara Chapel in the V&A’s Medieval and Renaissance Galleries” V&A Online Journal 5, Spring 2013.
“Bronzino, Giambologna and Adriaen de Vries: Influence and Innovation in the paragone.” In A Scarlet Renaissance, Essays in Honor of Sarah Blake McHam, ed. A. V. Coonin, Italica Press, 2013, 57-79.
“Giambologna’s Rented House,” The Burlington Magazine, 155 (January 2013), 29-30.
“Suor Domenica da Paradiso as “alter Christus”: Portraits of a Renaissance Mystic.” The Sixteenth Century Journal 43, 2 (2012): 323-350.
with Donal Cooper. “Set in Stone: Monumental Altar Frames in Renaissance Florence.” Renaissance Studies. Special Issue in connection with the Medieval & Renaissance Galleries at the Victoria and Albert Museum 24, 1 (2010): 33 -55.
“Antonio del Ceraiuolo at la Crocetta and a note on Lorenzo di Credi’s niece.” The Burlington Magazine 152 (January 2010): 7-11.
“An Annunciation Pair at the Victoria and Albert Museum, London” in Andrea Bregno. Il senso della forma. Eds. C. Strinati and C. Crescentini. Ministero per i Beni e le Attività Culturali, 2008: 41-51.
“’In her name and with her money,’ Suor Domenica da Paradiso’s Convent of la Crocetta in Florence.” In Italian Art, Society and Politics: A Festschrift for Rab Hatfield. Eds. B. Deimling, J.K. Nelson, G. Radke. Syracuse University Press, 2007, 117-127.
with Jonathan K. Nelson.“Il nuovo ruolo delle donne artiste.” In Storia dell’Arte. vol. 11, Ed. S. Zuffi. Electa, 2006, 59-84.
Book reviews:
Lorenzo Ghiberti’s “Gates of Paradise:” Humanism, History and Artistic Philosophy in the Italian Renaissance, Amy R. Bloch, (Cambridge University Press) In Renaissance Quarterly 70 no. 4, (December 2017) 1497-1498.
Renaissance and Baroque Bronzes in and around the Peter Marino Collection, by Jeremy Warren, with Leda Cosentino and Charles Avery. London Paul Holberton Publishing, 2013. In Renaissance Quarterly, 68, no. 1 (Spring 2015), pp. 258-259.
Michele Tosini and the Ghirlandaio Workshop in Cinquecento Florence. By Heidi J. Hornik, (Sussex Academic Press, Eastbourne, 2009). In The Burlington Magazine, January 2011, 153, p. 50.
Crown and Veil: female monasticism from the fifth to fifteenth centuries. Edited by Jeffrey F. Hambruger and Susan Marti, translated by Dietlinde Hambruger, (Columbia University Press, New York, 2008) in The Burlington Magazine, June 2009, 151, pp. 400-401.
Meghan Callahan 